Upton, Carole-Anne and Parsons, Brian (2004) Playing Clov: A clowning approach to performing Beckett. In: Page and Stage: Fifty Years of Performing Beckett, University of Leeds. na. [Conference contribution]
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A practical workshop applying clown techniques to Clov's role at the beginning of Endgame, to explore the limits of embodying optimism, constant failure, and physical maladroitness in Beckett's text, working with a professional actor who had recently played the role at Bristol Old Vic, without recourse to clown techniques. A prime consideration was the effect on the actor's capacity to physically and mentally sustain the performance using contrasting strategies.
|Item Type:||Conference contribution (Other)|
|Faculties and Schools:||Faculty of Arts|
Faculty of Arts > School of Creative Arts and Technologies
|Research Institutes and Groups:||Arts and Humanities Research Institute|
Arts and Humanities Research Institute > Creative Arts and Technologies
|Deposited By:||Professor Carole-Anne Upton|
|Deposited On:||03 Jan 2011 14:42|
|Last Modified:||03 Jan 2011 14:42|
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