Wright, Terence (1992) Television Narrative and Ethnographic Film. In: Film as Ethnography. (Eds: Crawford, Peter Ian and Turton, David), Manchester University Press, pp. 274-282. ISBN 0-719-03683-6 [Book section]
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The extension of anthropology through public broadcast systems has defined new areas of enquiry. At one extreme, television has made available visual recordings of the world’s disappearing cultures; at the other, it has both generated awareness and motivated responses to global ethnic and ecological issues. But having granted these points, it has also had the effect of limiting the discipline. The broadcasters’’ understanding of ‘good television’ usually requires the moulding of ethnographic footage into familiar story-lines. The inevitable product of this demand is a very particular narrative style. An authoritative Western voice establishes the location of the film, introduces the cultural Group and guides the viewer through some of their typical day-to-day routines. While this general organisational pattern is not dissimilar to the standard written ethnography, the televised ethnography differs in that there is little room for analysis, but a high dependence on ‘self-evident’ visual description. Indeed the ‘classic realist’ ethnographic narrative often appears to be used as an excuse for screening a succession of ‘interesting’ or ‘spectacular’ images.
|Item Type:||Book section|
|Faculties and Schools:||Faculty of Art, Design and the Built Environment|
Faculty of Art, Design and the Built Environment > Belfast School of Art
|Research Institutes and Groups:||Art and Design Research Institute|
Art and Design Research Institute > Art, Conflict and Society
|Deposited By:||Professor Terence Wright|
|Deposited On:||02 Mar 2011 00:03|
|Last Modified:||18 Apr 2012 11:26|
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