Ulster University Logo

'Rimbaud's 'Barbare': The Floating and Reverberating Text'

Macklin, Gerald (1996) 'Rimbaud's 'Barbare': The Floating and Reverberating Text'. NEOPHILOLOGUS, 80 . pp. 41-52. [Journal article]

Full text not available from this repository.


The article sets out to explore the semantic and linguistic properties of 'Barbare', generally agreed to be one of Rimbaud's most inaccessible poems and one of the most controversial of the Illuminations among Rimbaud scholars. It posits the dual structuring principles of reverberation and the floating fragment as central to the composition of the poem. After a résumé of previous critical readings (Osmond, Little, Hackett, Wing and others), the paper argues that through its innovative use of punctuation, its emphasis on the substantive over the verb and its internal musicality, 'Barbare' emerges as a key example of the Rimbaldian experimentation with the prose poem. A close reading of the text is undertaken in order to vindicate this evaluation and to highlight certain other important features. In the course of the analysis attention is paid to the sexual code possibly contained in the poem, to the piece's concluding line as an illustration of Rimbaud's predilection for the disorientating finale, to patterns of elemental imagery encountered in the text and to the insights provided into 'Barbare' by the work of Atle Kittang and Paule Lapeyre. The paper concludes that 'Barbare' is very representative of rRmbaud's desire for upheaval both visionary and linguistic.

Item Type:Journal article
Keywords:strutcure; prose poem; punctuation; fragment; finale
Faculties and Schools:Faculty of Arts > School of Modern Languages
Faculty of Arts
Research Institutes and Groups:Arts and Humanities Research Institute > Modern Languages
Arts and Humanities Research Institute
ID Code:19118
Deposited By: Dr Gerald Macklin
Deposited On:25 Jul 2011 09:47
Last Modified:25 Jul 2011 09:47

Repository Staff Only: item control page