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Lady- Bird –Transformation (Mirage)

Sander, Ralf (2012) Lady- Bird –Transformation (Mirage). BIFF/ Busan Film Center, South Korea [Artefact]

[img] Archive (ZIP) (peer review process and evidence of founding) - Supplemental Material
3MB
[img] Microsoft Word (commission proposal) - Supplemental Material
3MB
[img] Microsoft Word (making of the sculpture and development of techniques) - Supplemental Material
3MB
[img] Microsoft Word (About the environment BIFF) - Supplemental Material
149kB
[img] Image (JPEG) (bird view night) - Published Version
462kB
[img] Image (JPEG) (views of the sculpture) - Presentation
465kB
[img] Image (JPEG) (colorchange) - Published Version
529kB
[img] Microsoft Word (press review in English, Korean, Chinese and German) - Supplemental Material
4MB
[img] PDF (Catalogue, Lady-Bird-Transformation 2012) - Presentation
38MB

URL: http://en.wikipedia.org/wiki/Ralf_Sander

Abstract

I followed a highly prestigious, worldwide call for an art competition, which attracted 106 entries from all continents, 12 countries. It was in its initial stages anonymous, blind peer reviewed by highly esteemed artists and theorists. It is highly unusual for a non-Korean artist to win such a prestigious competition for a work in a flagship building. It boasts the largest free-cantilevered roof ever constructed. The cantilevered ceiling’s changing light patterns, produced by an LED lighting system, are reflected on the sculpture’s surface. BIFF is designed by globally influential, contemporary architects Coop Himmelblau and inaugurated by the president of South Korea, Lee Myung-bak. It will serve as the home of Asia's largest cinema event which attracted 221,002 visitors in 2012, the Busan International Film Festival. As part of my research about possibilities of sculptural transformation, I developed a sculpture which changes permanently through reflection of light and the viewer‘s position. The conceptual challenge lay in creating a static work that is permanently changing; a static object that refers to the features of the medium film. The highly reflective stainless steel was chosen to immaterialize the monumental sculpture, to reflect the permanently changing light and to make it appear light and dynamic. I decided to propose an object that does not refer directly to the architecture and that creates its own realm, so as not to be in concurrence with the very dominant surrounding, while still complimenting it stylistically. The sculpture is already subject of controversy around public art. My position is to bring form back into the discussion, and to question fixed viewpoints. To make this large sculpture we developed flexible and very precise foam cutting tools and a mixture of substances to achieve a strong and perfect surface. As cast stainless steel usually contains holes from air bubbles, we developed a method to reduce the air pressure, to eliminate embedded holes.

Item Type:Artefact
Keywords:Busan Film Center Korea, Lady bird transformation mirage Ralf Sander sculpture
Faculties and Schools:Faculty of Art, Design and the Built Environment > Belfast School of Art
Faculty of Art, Design and the Built Environment
Research Institutes and Groups:Art and Design Research Institute > Creative Ecologies
Art and Design Research Institute
Location:BIFF/ Busan Film Center, South Korea
Location:Busan City, South Korea
Date:9 August 2012
ID Code:23489
Deposited By: Mr Ralf Sander
Deposited On:20 Nov 2012 13:42
Last Modified:25 Jun 2013 07:39

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