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All You Can Lose Is Your Heart

Deveney, KayLynn (2010) All You Can Lose Is Your Heart. 'Different Dimension- the Novosibirsk International Festival of Contemporary Photography [Artefact]

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Via a photographic examination of post-World War II “Cinderella”-style houses of Albuquerque, New Mexico, this research investigates notions of the “ideal” American home and the modern-day realities facing Western middle-class families. Never before the subject of a published work of photographic art, these houses are now studied through an extended series of more than 40 original photographic works that focus primarily on the houses’ exteriors. The images reach beyond depiction, however, to act as metaphorical family portraits, the cumulative details outside the homes reflecting those who live and have lived inside. Together these photographs prompt significant questions concerning Western constructions of family, home, and history, and the ways those perceptions have shifted as the economy has fluctuated and the model of the nuclear family has come under increasing scrutiny. Contextual grounding for this work lies principally in images made by the American photographers of the New Topographics movement beginning in 1975. In deadpan photographs, Robert Adams, Lewis Baltz, Henry Wessel Jr. and others examined the ways Americans utilized and characterized their landscapes, neighbourhoods, and homes. However, Bill Owen’s work Suburbia (published 1973) also has a direct connection to my research as it photographically interrogates ideas and trends that affected American families at home. More recent work around similar themes can be located in Martin Parr’s photographs of English prefab homes and Alejandro Cartegena’s Suburbia Mexicana. My photographic research is underpinned by my PhD research, which focused on reflections of home via the photographic diary. While there is no autobiographical text with this work, it does focus on ways Westerners understand, depict, and reflect on home. My photographs carry on from the formal depictions of the New Topographics movement to include images that reach beyond the deadpan style to represent the homes in a more interpretive way, one designed to emphasize and question the particular myths of home reinforced in the Cinderella style. As of 2012 the production of the research is culminating. However, the dissemination of the research, and its impact, are just beginning to be visible. To date three group exhibitions have included the work. My intent is to publish a book in 2013 and to hang exhibitions in connection with the book’s publication. I believe the research will have a diverse international audience. It will appeal to audiences interested in pop culture, architecture, photography, community planning, and cultural anthropology, among other things. I also plan to investigate possibilities for collaborative exhibitions and events that incorporate cross-disciplinary dialogue.

Item Type:Artefact
Keywords:Photographs, Cinderella, 1950's, Post-WorldWar II, houses, domesticity, home
Faculties and Schools:Faculty of Art, Design and the Built Environment > Belfast School of Art
Faculty of Art, Design and the Built Environment
Research Institutes and Groups:Art and Design Research Institute > Space and Place
Art and Design Research Institute
Location:'Different Dimension- the Novosibirsk International Festival of Contemporary Photography
Location:Artist's archive
Date:6 June 2010
ID Code:23701
Deposited By: Dr Kaylynn Deveney
Deposited On:15 Nov 2012 11:15
Last Modified:19 Apr 2013 14:43

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