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Women and Turkish Cinema: gender politics, cultural identity and representation

Akser, Murat (2013) Women and Turkish Cinema: gender politics, cultural identity and representation. Historical Journal of film, radio and television, 34 (1). pp. 16-119. [Journal article]

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URL: http://www.tandfonline.com/doi/full/10.1080/01439685.2013.852725

DOI: 10.1080/01439685.2013.852725

Abstract

There has been a significant recent increase in the number of English-language monographs on Turkish cinema. Savas Arslan’s Cinema in Turkey (2010), Asuman Suner’s New Turkish Cinema (2010) and Gonul Donmez-Colin’s specialized volumes (The Routledge Dictionary of Turkish Cinema, 2013; Turkish Cinema: identity, distance andbelonging; 2013) attest to this new proliferation. Eylem Atakav’s book focuses on women and Turkish cinema in the context of politics, cultural identity and representation. The book’s central claim is that enforced depoliticization introduced after the coup of 1980 is responsible for uniting feminism and film in Turkey. Atakav claims that the feminist movement was not perceived as politically significant during that decade, thus it was allowed to flourish. These films focused on individuals, on women’s issues and lives, while trying to avoid being perceived as overtly political.

Item Type:Journal article
Keywords:women, film, cinema, gender, Turkish
Faculties and Schools:Faculty of Arts
Faculty of Arts > School of Creative Arts and Technologies
Research Institutes and Groups:Arts and Humanities Research Institute
ID Code:28978
Deposited By: Dr Murat Akser
Deposited On:01 Apr 2014 15:08
Last Modified:28 Sep 2017 07:05

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